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One Thousand Years of Russian Church Music: 988–1988
Vladimir Morosan
832
79
Musica Russica
0-9629460-0-1 (hardbound)
Series I, Vol. 1
1991
M-V1

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A unique musical anthology that presents a panorama of church music in Russia from the origins to 1917, drawing on previously unpublished treasures of chant and Baroque polyphony in Russian archives, as well as the best-loved liturgical compositions, chant arrangements, and sacred concertos of the 19th-century choral repertoire. The volume includes 79 different titles by composers ranging from Ivan the Terrible and Fyodor Khristianin to Diletsky, Titov, Bortniansky, Lvov, Glinka, and Balakirev. Includes introductory article, critical notes, glossary of liturgical terms, composer biographies, and extensive bibliography.

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Table of Contents

No. Composer Title View PDF Listen
Foreword
Acknowledgments
Vladimir Morosan ~ One Thousand Years of Russian Church Music ~ An Introduction
I. Monophonic Chants (late 11th - late 17th c.)
1 Two facsimiles from the Blagoveshchensky Kondakar (11th c.)
2 Kondakarian Chant Resurrectional Hypakoe in Tone 3
3 Facsimile from the Festal Sticherarion (12th c.)
4 Anonymous Znamenny Chant Heirmos of the Kanon for St. Demetrius
5 Anonymous Znamenny Chant Sticheron for St. Mary of Egypt
6 Anonymous Znamenny Chant Gospel Sticheron No. 8
7 Anonymous Znamenny Chant Sticheron for St. Peter of Moscow
8 Feodor Krestianin Gospel Sticheron No. 2
9 Anonymous Znamenny Chant Sticheron for the Dormition
10 Anonymous Znamenny Chant Sticheron for Holy Princess Olga
11 Anonymous Znamenny Chant Sticheron for St. Prince Vladimir
12 Anonymous Znamenny Chant Sticheron for SS. Boris and Gleb
13 Anonymous Znamenny Chant Sticheron for St. Prince Alexander Nevsky
14 Anonymous Znamenny Chant Stichera for St. Sergius of Radonezh
15 Anonymous Znamenny Chant Troparion and Antiphons for Great Friday
16 Tikhvin Monastery Melody, It Is Truly Fitting
17 Faddei Subbotin Sticheron for the Archangel Michael
18 Opekalov Monastery Melody , Holy God ("Funereal")
19 Anonymous (Kievan Chant) Blessed Is the Man (2 variants)
20 Anonymous Bulgarian Chant Resurrectional Troparia in 8 Tones
II. Early Polyphony (17th c.)
21 Anonymous Znamenny Polyphony It Is Truly Fitting (Greek Chant)
22 Anonymous Znamenny Polyphony To You, the Destined Leader
23 Anonymous Znamenny Polyphony (Early 17th C.) Cherubic Hymn (“Jerusalem”)
24 Anonymous Znamenny Polyphony Cherubic Hymn (“Three-Voiced”)
25 Anonymous Demestvenny Polyphony Today Christ Is Born
III. Polyphony in the Western European Style – Sacred Part-Songs (17th – early 18th c.)
26 Anonymous Partesny Polyphony Rejoice, I Hymn Thy Joy
Yepifani Slavinetsky How May We Worthily Praise Thee?
28 Yepifani Slavinetsky O Most Holy Maiden Mary
29 German, Monk Today Is the Day of Rejoicing
30 German, Monk Christ Is Born
31 Anonymous Partesny Polyphony Praise Ye All Our Lord
IV. The Baroque Style – The "Divine Service" (second half of hte 17th c.)
32 Anonymous “Divine Service”, The
V. The Baroque Style – Sacred Concertos (late 17th c. – early 18th centuries)
33 Nikolai Diletsky Praise the Name of the Lord
34 Anonymous Partesny Polyphony My Queen Most Blessed
35 Vasily Titov O Virgin Unwedded
VI. Italian Compositions for the Russian Church (second half of the 18th c.)
36 Baldassare Galuppi In the Flesh Thou Didst Fall Asleep
37 Giuseppe Sarti Now the Powers of Heaven
VII. The Common European Style – Sacred Concertos (late 18th – early 20th c.)
38 Maksim Berezovsky Do Not Reject Me in My Old Age
39 Dmitry Bortniansky Lord, Make Me to Know My End
40 Artemy Vedel By the Rivers of Babylon
41 Stepan Davydov Be Renewed, O New Jerusalem
42 Aleksei Lvov Standing Before the Cross
43 César Cui My Soul Magnifies the Lord
44 Sergei Rachmaninoff Theotokos, Ever-Vigilant in Prayer, The
45 Aleksei Turenkov Today Christ Is Born in Bethlehem
VIII. The Common European Style – Sacred Trios (late 18th – early 20th c.)
46 Dmitry Bortniansky Let My Prayer Arise No. 2
48 Archpriest Pyotr Turchaninov Arise, O God
47 Artemy Vedel Open to Me the Doors of Repentance
49 Pavel Vorotnikov The Wise Thief
50 Aleksei Turenkov Wise Thief, The (No. 3)
IX. The Common European Style – Polyphonic Compositions for the Liturgy (late 18th – early 20th c.)
51 Dmitry Bortniansky Cherubic Hymn No. 7
52 Stepan Degtiaryov Praise the Name of the Lord
53 Artemy Vedel Lord, Now Lettest Thou
54 Aleksei Lvov Of Thy Mystical Supper
55 Archimandrite Feofan Aleksandrov Mercy of Peace, A
56 Mikhail Glinka Cherubic Hymn
57 Pavel Makarov The Angel Cried Out
58 Ivan Dvoretsky Gladsome Light
59 Priest Mikhail Vinogradov Mercy of Peace, A
60 Gavriil Lomakin Cherubic Hymn No. 9
61 Priest Vasily Starorussky From My Youth
62 Anton Arensky Our Father
63 Archpriest Dmitry Allemanov Christ Is Born
64 Semyon Panchenko In Thy Kingdom
X. The Common European Style – Arrangements of Liturgical Chants (late 18th – early 20th c.)
65 Dmitry Bortniansky Thy Bridal Chamber
66 Archpriest Pyotr Turchaninov All Creation Rejoices in You
67 Hieromonk Viktor Vysotsky Cherubic Hymn
68 Aleksei Lvov It Is Truly Fitting No. 3
69 Nikolai Potulov Praise the Lord from the Heavens
70 Kievan Monastery of the Caves (Kievo-Pechersk) Melody Blessed Is the Man
71 Miliy Balakirev Let All Mortal Flesh Keep Silence
72 Evstafy Azeyev Cherubic Hymn, The
73 Semyon Panchenko Bless the Lord, O My Soul
XI. The Russian National Style – Chant Arrangements and Polyphonic Compositions (late 19th – early 20th c.)
75 Stepan Smolensky Paschal Stichera
76 Anatoly Liadov Glory to God in the Highest
77 Dmitry Yaichkov It Is Truly Fitting (“from Mt. Athos”)
78 Nikolai Tolstiakov Bless the Lord, O My Soul
79 Nikolai Golovanov Our Father
Appendices
I. List of Abbreviations
II. Critical Notes
III. Glossary of Liturgical and Ecclesiastical Musical Terms
IV. Annotated Index of Liturgical Hymns
V. Composers' Biographies
VI. Select Bibliography
VII. The RUSSICA™ Transliteration System